In the late ’60’s The Mindbenders split and Eric Stewart teamed up with PeterTattershall (road manager to Billy Kramer & the Dakotas) to form Strawberry Studios in Stockport, near Manchester, U.K.
Graham Gouldman and my company Kennedy Street Enterprises injected further capital into Strawberry and became stakeholders.
By this time I had secured work for Graham as in-house composer to write songs for Super K Productions (Jerry Kasenetz & Jeffry Katz) for which he had to move to New York for several months.
To save unnecessary expense Super K’s songs were recorded at Strawberry in Stockport rather than in New York which ameliorated Strawberry’s growing international reputation.
By the early ’70’s, after I had secured ‘[Is This The Way To] Amarillo‘ for Tony Christie, I convinced its composer, Neil Sedaka, to record at Strawberry and use our in-house musicians, Graham Gouldman, Lol Creme, Kevin Godley and Eric Stewart, who by then was also a first-rate engineer.
And so Neil Sedaka recorded his comeback album Solitaire at Strawberry in 1971, returning in 1973 for ‘The Tra-La Days are Over‘ including his classic “Love Will Keep Us Together” – see Joy Division reference below.
This sowed the seeds of 10cc & put Strawberry Studios on the map:
THE STRAWBERRY LEGACY
10cc was self-contained and called most of the shots from their own Strawberry Studios . The Studio was a legacy they left for other acts from the North of England to use to get their foot in the door too . . .
For example . . .
Other notable artistes who recorded at Strawberry Studios are: